Solar Dyeing Results

It's been about a month now since I started my mason jar of madder, alum and a Hitch Hiker scarf knitted in bare yarn.  This weekend, I decided that I could not wait any longer and liberated my scarf into the kitchen sink where I rinsed and rinsed until I could roll out the excess, clear running water and hang it up to dry.
Keeping an eye on the jar during this process is like watching gifts appear under the Christmas tree.  Just about every day I would get home from work, lean in for a good look and then grab it and give it a good shake to mix up the undissolved dye sediment.  The water wasn't quite clear when I made the decision that it was done, but I think I may have used too much dye to begin with and it was definitely soaking up into the outer layer of yarn.
As I mentioned in my original post when I started this project, the garment was a little large for the jar that it was in so I was expecting a somewhat splotchy outcome.  The resulting pattern of color is quite beautiful, with a dark rusty hue in the most saturated parts and a light gold on the parts that were obviously in the center of the scarf when it was rolled up in the jar.
I must say, I am so addicted to this new hobby!  New bare yarn is on the way, so I'm going to try this process with skeins and THEN knit with it!  I would also like to try using materials that I foraged or at least something that I collected/bought and prepared myself.
Have you tried any solar dyeing or even natural dyeing?  How did it turn out?

 

52 Forms of Fungi || #14

When we had just arrived at the cabin for our weekend in southeast Oklahoma several weeks back, I was poking around in the woods with my camera and happened upon this really unusual, leathery, cup shaped fungus.  After a little research I came to find out that this fungus is called devil's urn, and it is one of the very first species to appear in springtime as the forest comes out of dormancy.  They really are a sight to see, with the brownish exterior and smooth, black interior.  The blend in very closely with their environment and are often found on downed tree limbs.
This structure was knitted as part of my 52 Forms of Fungi project, through which I will knit a different type of fungi for every week of 2013. Check out more of the forms from this project.
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52 Forms of Fungi || #13

There are many types of coral fungi that are incredibly eye catching, so I doubt this will be the first species you see here.  This one in particular is known as Clavulinopsis corallinorosacea, and it is found in Australia.  I haven't been able to find much about this specific type of Clavulinopsis other than photos of it, so if anyone has information please send it my way!  But regardless, those colors!  Does this not look like some delicate sea life form that you would see on a snorkling excursion?  Lovely.
This structure was knitted as part of my 52 Forms of Fungi project, through which I will knit a different type of fungi for every week of 2013. Check out more of the forms from this project.
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52 Forms of Fungi || #12

How amazing would it be to see one of these in the wild?  Lion's mane or bearded tooth mushroom (Hericium erinaceus) is quite rare, and will grow on dead/dying wood as well as parasitically on living trees.  It is also apparently edible with a slightly fishy taste and has medicinal properties such as the potential to heal nerve damage.
As you can see, this took a LOT of i-cord.  I've been working on it for weeks!  I would love to make a huge one at some point, but don't I say that about every form that I make?  Once this project is finished I will probably pick out a few to focus on in more detail and at a larger scale.  Thank you for your patience while I cranked this one out... more fungi is to come for this week!
This structure was knitted as part of my 52 Forms of Fungi project, through which I will knit a different type of fungi for every week of 2013. Check out more of the forms from this project.
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Fiber Is... || #2

I found Sarah Eyre within the last couple of years on Instagram, when it was still possible to search a general hashtag (i.e. #knitting) and view photos that were posted more than an hour or two ago.  I was intrigued by this beautiful, courageous lady, partly because she just happens to have my dream job.... she co-owns a yarn company called Cephalopod Yarns!  Based out of Baltimore, her IG feed often includes skeins of lusciously hued  yarns in dye pots or drying racks, fun mirror art in the studio, and images and words that just remind you to remain present.  I'm hoping to splurge on some of her yarn later this summer---there's some camel fiber that I'm dying to make a shawl out of.  It's supposedly incredibly soft!  Here's what fiber means to Sarah Eyre..

About Sarah

Oh no, the dreaded introductory paragraph! I’m so awkward at this part. I’m your average cat- herding thirty-something fiber artist, living in Baltimore with my husband and daughter. I cook pretty well and play banjo very, very badly. I take endless photographs of absolutely everything. I love comic books, Victorian literature, yoga and running, and I believe every single one of us is a superhero. I teach yoga and meditation when I’m not on the road, with a focus on working with the disabled. I believe in the power of small and simple things.

Ways Sarah works with fiber, including her favorite craft:

I’m a dyer, spinner, knitter, felter, knitwear designer, embroiderer and shamefully awful crocheter. Improving my crochet skills is on my list of goals for 2013; there are just too many amazing crochet projects and patterns! In truth, I’d say I’m primarily a spinner and dyer; while I do knit, and love to knit, my primary passions are color and form.

There’s a real pleasure and peace in expressing thoughts, feelings, and experiences through color. Dyeing is a very playful form of self- expression that utilizes the both visual and the tactile. It is joyful, creative, messy, physical work. When dyeing yarn and spinning fiber specifically, we have these finished objects that are the working materials for other artisans, and that’s the most exciting part of the work for me. Seeing our yarn “in the wild”, whether on Ravelry or at a fiber show, is one of the biggest pleasures of this job! I love seeing what other people create with the things we have made.I love, love, love spinning, too. It’s my second great fiber love. I don’t actually knit with my own handspun; I really prefer handspun from someone else. I always see my handspun as a finished object in its own right, I think! I do adore handspun yarn- there’s something almost sacred about someone else’s handspun to me!- and I purchase and trade for it regularly. Knitting handspun has to be one of the sweetest things in the world- there’s just nothing quite like it.

And now for the big open-ended question.  To Sarah, fiber is...

Fiber is so, so much fun! It’s earthy and light and fluffy and sensual and amazing. Whether I’m spinning or dyeing, knitting or felting, there’s this wonderful sense of both being a part of these traditional crafts and being part of a new arts and craft movement.

Fiber is grounding and uplifting: it reminds me slow down and to pay attention to the small things, like stitches or plying, but it also brings people together into common efforts, like Afghans for Afghans, where fiber artists work to create warm handmade items for people they’ve never met. My life is infinitely warmer, happier, and, well, fuzzier with fiber in it. :)

Sarah (shown below with her husband, who she works with!) blogs at On My Tiptoes and you can shop for (and lust after) some of the beautiful yarns her company creates at Cephalopod Yarns.  Thanks, Sarah!

All photos courtesy of Sarah Eyre, some via her Instagram feed.

 

Solar Dyeing + Off the Needles || Hitch Hiker Shawl

Since I had a few other projects going on concurrently, it took me a while to finish this hitch hiker shawl that was part of a knit-along with the Instagram-along-ers Ravelry group.  Normally I take "off the needles" photos of a finished object styled and worn, but I did not do that with this one... because it's not finished yet!
Recently, I featured Caitlin Ffrench for the first post of the "Fiber Is..." column, and she just happened to have an article on solar dyeing in this summer's issue of Knit Scene.  When I started the shawl it was a last minute thing and I wanted to use some yarn from my stash.  For whatever reason I had some bare merino that would work perfectly.  Earlier in the year I made the herringbone cowl in a natural hue though, and didn't really want another scarf of the same color.  The solar dyeing tutorial seemed like a great way to try out something new and also add some color to my finished shawl.
For Christmas I received the Earthhues natural dyeing kit from my parents, which is available through Knit Picks.  Stovetop dyeing has been high on my list of things to learn for a while, but my kitchen isn't exactly ideal for large projects like that and it just seems really daunting.  Once I read through Caitlin's solar dyeing tutorial, I felt that this seemed a little more manageable for my first attempt at natural dyeing.  If you don't have a copy of the magazine yet, I really encourage you to pick it up.  There are some really cute patterns in it as well!
I used alum and madder for my shawl, which should come out to be a deep gold/orange color when it's finished.  Even after a couple of days it looks like some of the color has soaked up into the fiber.  Since it's a finished garment rather than a skein of yarn, I'm not sure exactly how it will look when it's done.  However, I like imperfections and variegation in solids, so it won't bother me a bit if it comes out a little splotchy.  Note to self: get some bigger jars for next time.
Have you tried any solar dyeing?  I'm really addicted now and fully intend to start several more jars as soon as I can get my hands on some skeins of natural yarn.  What are your favorite natural dye combinations?

 

52 Forms of Fungi || #11

Fly agaric!  This is probably one of the most recognizable fungi out there.  They're just so bright and captivating (and toxic) and they always make me think of Mario Brothers.  These were really pretty fun to make.  Oh!  Here is some interesting cultural information/ethnobotany facts about the species.

This structure was knitted as part of my 52 Forms of Fungi project, through which I will knit a different type of fungi for every week of 2013. Check out more of the forms from this project

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Dyed-in-the-Wool

"Dyed-in-the-wool"
Materials: yarn, dried vine, wire
Dyed-in-the-wool is an installation that I recently created for Rare Earth, an exhibition at Plug Projects in Kansas City.  Rare Earth "features work that borrows materials and figures from the natural world to reevaluate the nature of nature and examine the many landscapes we all inhabit. Geodes, lichen, wind and water, fungi and fauna explore the possibilities of symbiosis, the interventions of pollution, and imaginatively refigure the terrestrial through painting, photography and sculpture. Considering human mediation into all of the ecologies we encounter, Rare Earth offers viewers new modes of seeing the world around them."
It is said that there are three ways in which to add pigment to a garment - after it is woven into its finished form, after it is spun into thread, and before it is spun - when it is still a mass of raw fiber.  The phrase "dyed-in-the-wool" refers to fiber that has been subjected to pigment - raw fiber - wool that has not yet been manipulated into something else.  Applying this idiom to human existence ties it to our foundational beliefs and ways of our nature.  What we were melded into before we dumped experience on top.  How our upbringing shaped us.
When I was considering a title for this installation, the idiom "dyed-in-the-wool" struck a chord with me not just because of the obvious literal connection of a fiber sculpture that was quite literally knitted with wool, but because it conveys exactly my perception of vegetation in an urban environment.
Do you ever walk by an abandoned lot or an alleyway and notice the vines and herbs that have sprouted through the cracks in the pavement, clung to the brick of an adjacent building, and in a way seem to have reclaimed the space?  It's remarkable that despite the extremely harsh environment we see in our urban areas, this flora still perseveres.  They are, after all, engineered for survival.  We eliminate the growing conditions conducive to coexistence with plant life, and yet they still find a way.  They are "dyed-in-the-wool" growing machines and will continue to thrive in very little soil volume with poor soil fertility, little water, an abundance of contaminants and air pollution.  Yet, how often do we walk on by without giving it a second thought?
I do want to note that I am in no way discrediting the huge problem that invasive plants have become in natural areas surrounding our communities.  Native plants and wildlife have been displaced due to this issue and I recognize that it's a very serious matter.
This piece is my effort to point out the wonders that we are surrounded by, how remarkable they are and that this beauty can exist despite the challenge of urban conditions.  It can be so moving to take a moment to just observe the growth and life around us.  A moment of encouragement, replenishment and hope.
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What I've Been Working On

I've felt really disconnected lately - normally I'm working on several different projects at once and am planning blog posts and staying active here... but for the past month or so one big project has had all of my attention, and next week will see it finally come to completion.
Plug Projects, the artist collective who curated Momentum in Oklahoma City this year recently asked me to be a part of their upcoming exhibition, "Rare Earth".  This exhibition deals with nature and our relationship to it, which is a concept that my work revolves around.
The opening is next Friday, May 17th at the Plug Projects gallery in Kansas City and will be up for 6 weeks after that.  If you live in or will be visiting the Kansas City area, I hope you will stop by and see it!
After the install I will post photos of the installation with a little more background information.

Fiber Is... || #1

I feel like I'm constantly reading about and meeting people who use fiber in unique and inspiring ways.  Knitters, weavers, spinners, dyers, printers... everyone has a different connection to fiber through their craft and it means something different to each and every one of us.  It's my pleasure to introduce a brand new column that explores those connections and gives us a different perspective on the impact that fiber has on the lives of artists who use it in very different ways.  I'm already inspired just thinking about it...  Here we go!

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I came across Caitlin Ffrench through her patterns on Ravelry and was immediately intrigued by her unique style and great personality (well, of what I can tell from her photos.  But seriously, they have a lot of personality!) Caitlin is a pattern designer with garment photos that are both really fun and also jealousy inducing because of the incredible scenery that she lives in the midst of in the Pacific Northwest.  I knew from her blog that she is a natural dyeing expert (jealous a little bit more), and then I happened to grab a copy of the new Knit Scene magazine and lo and behold, there was Caitlin with a solar dyeing tutorial!  It's on my list of things to try out this summer, that's for sure.  Who's with me?!?  Here's a little more about this lovely, multi-talented fiber artist...

About Caitlin:

Hello! My Name is Caitlin Ffrench. Facts about me: I play accordion. It is large, and red, and it was my aunt's when she was little. No one else in the family wanted it! I make most of my own clothes. Dresses, sweaters, hoodies... its is because i'm 6 feet tall, and I need clothes that actually fit! I really like my cat. A lot. We hang out most every day, and we sing together! I got a BFA (Fine Arts degree) and halfway through completing it, went for a year of fibre school to draw inspiration. I ride bikes a lot. I also build freak bikes. Bikes are better than most everything else. Hobbies??.... all sorts. Weaving, spinning, sewing, building lovely things in my woodshop... a lot of reading too! I LOVE Grey's Anatomy. A LOT! I cry every time!

Ways Caitlin works with fiber, including her favorite craft:

Sewing, embroidery, spinning, weaving, felting, pattern construction, surface construction (screen printing), knitting, crochet.  And my favorites change all the time. Right now i'm totally into weaving.. but 2 weeks ago it was spinning!

And now for the big open ended question.  To Caitlin, fiber is...

Fiber is my everyday; I really make things every day. Some days I don't make much... but I still use my hands all of the time. Fiber is something to keep my mind happy, and my heart well. I can be connected to my fibre life by adventuring in the woods, harvesting dyes. Or I can be connected by just simply wearing something that I have sewn.

Fiber is something that I grew up with. My mother and grandmother both made things from fibre when I was growing up. My grandmother has since passed away, but I use her sewing machine all of the time. (It is a workhorse!) And my mother is a magnificent fibre artist. She can sew more beautiful things than I could believe are possible. She is fantastic! SO fibre is also something that connects me to my family.

You can find the lovely yarns that Caitlin dyes for sale in her Etsy shop, and she also has a blog.  Thanks, Caitlin!

 

 

 

All photos are sourced from Caitlin Ffrench's blog.

52 Forms of Fungi || #10

Two in one week!  I am dead set on this catching up thing.  This maze-like clump is called northern tooth and it's found mostly on maples, which is the tree it's on here.  You typically see it associated with wounds though, so I fibbed a little bit on that.  But in my defense, this is a terrible looking maple that was unfortunate enough to have someone plant it DIRECTLY underneath an overhead electric line (don't do that people!  ever!  unless you want your tree pruned in a very tragic way).  And in defense of the tree's feelings here, it's not ALWAYS terrible looking.  This little guy does have wonderful fall color; I just always feel bad about it's misfortunes as I'm jogging by...  Along with the other 5 maples planted in line with it, ALSO under the utility lines.  But I digress...

Here are two links to more information about northern tooth.  I typically like to post the Mushroom Expert profiles with each of these forms, but for some reason it didn't have any photos showing the growth habit that is portrayed here, so that's why I included the second link.

Northern Tooth....... one  ||  two

This structure was knitted as part of my 52 Forms of Fungi project, through which I will knit a different type of fungi for every week of 2013. Check out more of the forms from this project.

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52 Forms of Fungi || #9

 There is a species called blue stain fungus that I've been familiar with for a while because it is found in pine trees here.  It happens to be a favorite food source of the pinewood nematode, which causes a disease we know here as "pine wilt".  Blue stain is unrelated, but pine trees that die rapidly and are found to have it are often assumed to have died of pine wilt.  In any case, I recently got to thinking about this fungus and realized that while I have seen the blue stained sapwood in pine trees, I've never seen fruiting bodies associated with it.  After some research I came to find out that the fruiting bodies are so small they are difficult to see (much less knit), but I did come across another type of stain fungi with some really remarkable fruiting structures... GREEN stain fungus.  Unlike blue stain fungus, green stain is found on hardwoods.  I'm pretty amazed by it!  I'm planning to do a larger project with these, but here is a sneak peek for now.  So vibrant.  I love them!
These structures were knitted as part of my 52 Forms of Fungi project, through which I will knit a different type of fungi for every week of 2013.  Check out more of the forms from this project.
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Decomposition: Riot

I had the opportunity this past weekend to install my jack o lantern fungi in southeastern Oklahoma as part of the Decomposition series.  These are the largest forms I've used for an installation to date, and have a very different effect than the dozens of tiny mushroom caps seen in Colony I and Colony II.  Rather than sheer numbers, the "WOW" factor comes from the loud, warm hue, clustered around this unique stump with a cylinder of heartwood still standing majestically in the center.  A loud, warm, aggressive hue, a tightly packed cluster.... like a riot.
I enjoy this series more and more as I go along, and get more and more excited projecting future installations.  I'm also thinking I need to plan out some ideas on how to create an installation and leave it in place without offending my environmentally responsible conscience.  The materials I use are just too invasive to feel good about leaving out in "the wild".  I'll start brainstorming more on that, and actually I already have an idea brewing although it's for something outside the Decomposition series.  Hopefully I'll have time to start on that this summer...
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On My Needles || Lanesplitter

 My LYS recently started a knit-along of the Lanesplitter skirt, which I was of course ecstatic to join in on despite my already never ending list of projects.  Loops in Tulsa is one of my fave yarn stores in the state, and it's also probably one of the hippest yarn stores I've ever been to... right up there with Purl Soho.  It's pretty great. Also, when I say "local" yarn store, I mean like 90 miles away local.  And when I say "knit along", I mean that I'm following the Ravelry thread and staying in the "loop" that way (see what I did there?).  So anyway, I haven't done any of their KAL's before and it seemed like a great opportunity to try out a type of garment I haven't knitted before... and here I am.  My progress has been gradual... very gradual... but I got it out for just a little while on our cabin getaway this past weekend.  And oh, the yarny, naturey bliss that was had by this fair cotton garment...
Sure, the porch is nice... but let's take it down to the creek bank, shall we?
Moss and more moss... a view of a stream...
What one wouldn't give to wander off into forested oblivion... forever...
Two balls of yarn, destined for adventure...
Two balls of yarn, facing the future with boldness.  Where no yarn has gone before....
Aaaaaaaaaannnnnnnndddddd I'm done.  But really, who doesn't want that?

 

New Decomposition Installation + Weekend Away

This weekend my husband and I rented a cabin down in Broken Bow, Oklahoma (the southeastern part of the state) just to get away for a few days and enjoy being out in nature.  We planned the trip over a month ago, and since that time I've been busy working on these pieces for my fifth installation for the Decomposition series.  You might recognize them from the 52 Forms of Fungi project, since I made a couple to use as form number 5.  Check back later this week to see the installation--- I'm really happy with how it turned out and can't wait to share it with you!  In the meantime, here are a few more photos from the weekend.  You'd better believe I'll have posts out the wazoo (do people still say that?) depicting all of the awesome fungi and things that we spotted while hiking.

... and Emma got to come too.

 

Off the Needles || Walpole

Yes, it's finished!  I started Walpole just after Christmas and after a slowdown in late February I buckled down last month to crank out the second sleeve and finish up the yoke.  The pattern is designed by Hannah Fettig, who is also the brilliant knitter who dreamed up the Effortless Cardigan (which I also LOVE).  I used Knit Picks Capra yarn for the project, in the Celestial colorway.  Capra is 85% merino and 15% cashmere, making this my first project to utilize even a small amount of cashmere.  It is seriously cozy--- super soft and warm, but also light since the gauge was so small.  TINY gauge by my standards, when it comes to sweaters.  This piece definitely worked on my patience, but I'm so happy with the outcome and have already worn it multiple times.
My sleeves for the Effortless Cardigan ended up a little shorter than I wanted, so I knitted an extra couple of inches on the Walpole sleeves.  Maybe I should have measured instead of guesstimating it, because after blocking I found that the sleeves hang nearly to my fingertips.  I'm not really bothered by it though, because in the cooler months I enjoy pulling my hands inside my sleeves when I'm outdoors, and the sleeves are easy enough to roll up.

52 Forms of Fungi || #8

Parrot fungi!  These two are a couple of variations on this species which really stuck out to me when I was flipping through my Audubon mushrooms field guide.  Apparently they are edible and grow near conifers across North America.  The actual mushrooms are very glossy and slimy looking.  I experimented a little with using a gloss spray, but it didn't work out on the knitted material at all, unfortunately.  I'll keep brainstorming on this aspect, since I'm sure it will come around again with a different species.
It's funny, I'm noticing that after I complete a phase of this project the pieces end up on display somewhere in my house.  The enoki mushrooms are sitting on our mantel, and I just put the little parrots in my Norfolk pine in the living room.  The jack o lantern fungi are still hanging out on my knitting shelf, because I'm working on a larger installation for them -- more details on that very, very soon!
These fungi were knitted as a part of my 52 Forms of Fungi project, where I knit one different type of fungi for every week of 2013.  Check out some of the other forms I've knitted so far.
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On My Needles || Hitchhiker

The Instagram-alongers Ravelry group has been working on Hitchhiker, a shawl by Martina Behm this month.  My progress on it is slow, but since it IS something I've been working on gradually, I thought I would share it.  Partly because I like my progress photos.  The shawl looks complicated, but it's actually a really easy pattern to memorize.  I ended up using some Bare Merino Knit Picks yarn that was in my stash for the project.  Since I do still have an aspiration to knit socks this year I just couldn't let any of my Malabrigo Sock yarn go for this one.  I'm tempted to try dyeing the bare garment once it's finished, but this would be my first dye attempt and who knows how that could turn out?  If anyone has experience with dyeing knitted garments as opposed to roving and has comments on the differences in results, please let me know!